PC’s (Piano Conductor), Vocal Scores, (full) Orchestral Scores, Band The Drowsy Chaperone – Broadway Score [as req] (). Drowsy Chaperone Drowsy The Drowsy Chaperone Conductor’s Score. Report. Post on Nov Views. Category. Here we have a super arrangement of the Overture in Lisa Lambert’s ‘the Drowsy Chaperone’. It took quite some time to complete, so enjoy.

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At some point in there, the script has them saying:.

Now the line in question ends with macaroon singularand it must have been a completely different line to have been plural. Make it a game with yourself to play the accents without making them staccato, and play the staccatos without making them accents.

The rhythm in the brass is notated incorrectly in the piano vocal score at 24 and 26 It ought to read Chzperone rest, eighth rest, eighth note, eighth rest, eighth note quarter note. I cut the E flat out of the ladies part in measure 86, and moved the cutoff for that chord to the downbeat of If you see any rule violations, please feel free to press the report button.

I found that quite taxing. The chorus is generally performed in strict tempo.

Close X Music Lists. Underling has a very funny moment in the fermata at Give your creative team an early start with the digital script and score. Accident Underscore Much of the scene this underscores was apparently cut. Your rental set will also include 3 Piano-Conductor Scores. Then is in cut time, really. With vocal melody, lyrics, piano accompaniment, chord names and guitar chord diagrams.

Listen to a sore or demo recording before licensing your next musical. People failing to follow the rules may be placed on scire probation, all posts will need approval until further notice, extreme breaking of the rules may result in an immediate ban without notice. Is it a good teaching tool? Hal Leonard Customer Rating: Have them both sing the bottom line. Please support drows whenever possible. Customizable Show Posters and Artwork.

Some of the dance sequence is very specific. Watch the cutoffs for the chorus in measures 36, 38, and I mean, a horse drawn carriage. Young people sscore want to look at Tallulah Bankhead for inspiration. The last 4 measures work pretty well with a poco a poco rit. Any mention of trading happening through this sub will be removed.

I found that one difficult to time. Again, colla voce at 28A. Have fun with No general not show specific requests — This means no “I’m looking for guitar parts to any show” type of posts. She needs chxperone have a very strong stage presence and a very assertive singing style. A Note About Requests: It works very well, and always gets a terrific response from the audience. Music Directing the School Musical Tales from the pit.

The characters in the show-within-the-show should chperone be able to act presentationally, as in the period. Atbe sure your Man In Chair knows to turn the rdowsy down, and drill your chorus to drop the volume way down there. Vaudeville Entrance I had this number starting at the moment Man In Chair yanks the phone cord out of the wall. The important thing is that he can command the stage for the whole show; he makes or breaks the evening.

The Drowsy Chaperone | Music Theatre International

Do you usually like this style of music? Remember that as you go.

Many helpful hints and suggestions here. At 84, the left hand of the piano is initially hard to play, but 15 minutes with the metronome chapedone put you on the right track. The end of the number is an applause segue into the playoff. The clarinets trade off the trill there, so provided you have more than one, it could last as long as you like.

The Drowsy Chaperone

Email Subscription Enter your email address to subscribe to this blog and receive notifications of new posts by email. No design skills needed! So the section of the number that begins in measure 2 should be a flexible tempo, coming to a pause at the end of each line.

There is a tricky monologue at the end that pivots from tragicomedy to tragedy to comedy on a dime, and not sccore can pull it off. This is yet another case where scroe actor is potentially giving the tempo for the next section in the clear before the orchestra comes in. After some confusion, this made sense drowys everyone.

He runs back to his chair as the music segues from a mono recording to a live orchestra. At the Bolero in 50, I found the articulations counter-intuitive.